PORT LOUIS: Reggae music, whose calm, lilting grooves found international fame thanks to artists like Bob Marley, on Thursday won a spot on the United Nations’ list of global cultural treasures.
UNESCO, the world body’s cultural and scientific agency, added the genre that originated in Jamaica to its collection of “intangible cultural heritage” deemed worthy of protection and promotion.
Reggae music’s “contribution to the international discourse on issues of injustice, resistance, love, and humanity underscores the dynamics of the element as being at once cerebral, socio-political, sensual and spiritual,” UNESCO said.
The musical style joined a list of cultural traditions that include the horsemanship of the Spanish Riding School in Vienna, a Mongolian camel-coaxing ritual and Czech puppetry, and more than 300 other traditional practices that range from boat-building, pilgrimages, and cooking.
Reggae emerged in the late 1960s out of Jamaica’s ska and rocksteady genres, also drawing influence from American jazz and blues.
The style quickly became popular in the United States as well as in Britain, where many Jamaican immigrants had moved in the post-WWII years.
It was often championed as a music of the oppressed, with lyrics addressing sociopolitical issues, imprisonment, and inequality.
Reggae also became associated with Rastafarianism, which deified the former Ethiopian emperor Haile Selassie and promoted the sacramental use of ganja, or marijuana.
The 1968 single “Do the Reggay” by Toots and the Maytals was the first popular song to use the name, and Marley and his group the Wailers produced classic hits such as “No Woman, No Cry” and “Stir It Up.”
Jamaica applied for reggae’s inclusion on the list this year at a meeting of the UN agency on the island of Mauritius, where 40 proposals were under consideration.
“Reggae is uniquely Jamaican,” said Olivia Grange, the Caribbean island nation’s culture minister, before the vote.
“It is a music that we have created that has penetrated all corners of the world.”
Shabana Azmi, Javed Akhtar welcomed in Pk.
LAHORE: Provincial Minister for Information and Culture Fayyaz ul Hassan Chohan today said the current visit of noted Indian poet Javed Akhtar along with his film star wife Shabana Azmi to Pakistan would open new doors of peace for Pak-India relationships.
In a meeting with Indian celebrity couple here on Friday, he said: “Pakistanis are the most peaceful and loving people and Pakistan, indeed, has fought on front-line in the war against terrorism”.
Chohan said that both neighboring countries should work together in the areas of art to promote harmony and peace in the region.
On this occasion, Shabana Azmi and Javed Akhtar said that they were overwhelmed by the warm welcome which had been given to them by the people of Pakistan.
“We will never forget the love and respect which we get during the visit”, they added.
US Deputy CG John Warner observes Daniel Pearl World Music Day! (TEXT AND VIDEO)
KARACHI: Consul General of USA’s ceremonial residence at FJR here was the venue where the Deputy CG John Warner welcomed karachiites on the evening of 2nd October (2018).
People from various locales of the Metropolis converged there to observe Daniel Pearl World Music Day to pay tribute to Wall Street journalist Daniel Pearl and all those journalists who had sacrificed their lives in the line of their duty.
Such musical performances have been held since 2002 all over the world. One may marvel why a melodious homage to a slain pressman? Danny was a talented writer who was adept enough with the written words to make a living in the top ranks of journalism. But it was in music that he found an essential form of expression. A talented violinist, fiddler and mandolin player Danny kept the passion for music ignited throughout his career. During numerous postings all over the world, he joined town bands, orchestras and chamber groups. Consequently, he left behind a long trail of musician friends in cities across the world stretching from Los Angeles, Hong Kong, Atlanta, Paris, Tehran to Mumbai. Daniel Pearl’s family chose music to celebrate the ideals of tolerance, friendship and shared humanity. They formed a foundation to further the ideals that inspired Danny’s life and work, spotlight his love of music to build bridges and create a friendship.
Remarks by Deputy Consul General John Warner:
• I’ve always felt that music and culture have the unique nature to bring people together. They reveal our common humanity, and they allow us to celebrate our aspirations to live together in peace and harmony.
• Music transcends all boundaries, allowing us to enjoy and appreciate different cultural forms. Daniel Pearl was a gifted musician; he truly believed that music had the power to build bridges between people and spread the message of ‘harmony for humanity.” This is for you Danny!
• This concert has become a wonderful tradition, and I couldn’t be happier that Pakistanis and Americans tonight are once again standing together for tolerance, respect, and mutual understanding.
KIMBALL GALLAGHER (American Pianist) has risen to prominence as one of the most dynamic and multifaceted pianists on the stage today. His sensitive insights at the keyboard, coupled with his singular entrepreneurial sensibilities, have enabled him to explore a broad scope of creative endeavors. Critics have described him as a “dynamo,” “sunlit and rapturous” and “a lightning bolt,” Gallagher’s sold-out 2008 debut at Carnegie Hall launched his international The 88- Concert Tour, a tour reviving the salon culture through a series of 300+ performances in a variety of non-traditional venues. Gallagher has blazed a trail across the 7 continents, appearing in 30 countries, and has performed in distinguished venues and intimate gatherings all over the world, from the Kennedy Center to Kabul, Bombay to Boulder, Chicago to Shanghai, and Tuscany to Tunisia. The 88 Concert Tour concluded with a culmination recital by Gallagher at Carnegie Hall in 2015, in New York City, leading to initiation of 88 International, an international organization initiating and executing unique musical projects across the globe.
ASIF SINAN is a Pakistani guitarist and singer. He is known for blending Indian classical music with jazz and playing guitar in the style of a sitar. Sinan is a graduate of the National Academy of Performing Arts. Asif Sinan is an alumnus of IVLP entitled “Bringing Social Change through Arts.” He and his band “Jazzical” will perform a medley of popular Pakistani music and American English songs. Relevant pieces published earlier:
Chalte Chalte remix controversy: Who should be criticized?
MUMBAI: It is not wrong to claim that Bollywood movies lack romance if Pakistani crooner Atif Aslam does not lend his sensational voice. His tracks Paanion Sa, Dekhte Dekhte and just released Tera Hua have become the chartbusters.
Whereas, on the other hand, the trend of remixing old songs is taking B-town into storms, which disturbs many veteran singers.
Lately, Aslam has sung a classic hit entitled Chalte Chalte for Mitron, upon which he is being panned by legendary Lata Mangeshkar, the singer of the original version, reported sources.
In this context, a source quoted Lata as saying, “I don’t want to hear it. This trend of remixing old songs saddens me. Where is the creativity in simply lifting acknowledged, beloved classics and shuffling the notes around?”
“I’ve even heard that the lyrics are changed in the remixes. By whose consent? The original poets and composers wrote what they had to. Nobody has the right to tamper with the creativity of these great composers and lyricists.”
Indian singer and politician Babul Supriyo, who has been criticizing Pakistani artists for quite some time, also went ahead to lament, “Today, even the poetic term ‘artistic liberty’ is at the verge of extinction. With due respect to Atif Aslam, as a singer myself, I will observe a two-minute silence to mourn rather than offer a comment.”
Whereas, singer Alka Yagnik whose song Dilbar Dilbar was remixed in Satyameva Jayate is of the view, “Why don’t they make a new song into a hit, instead of picking up an already super hit song, distorting it, and releasing it again. And then they say that it’s become so popular.”
“While it is okay that this is happening with my songs but it is unbelievable that the younger crop of musicians has the audacity to remix Lata’s songs.”
1972 Bollywood classic Pakeezah featured Chalte Chalte, which was being picturized on the tragedy queen Meena Kumari. As a matter of fact, people love to hum this song to this day.
On the other hand, fans of Atif, while eulogizing the singer, keep on sharing their takes on the criticism.
“Lata is Lata and Atif is Atif, just because someone was great singer once, it shouldn’t mean no one should attempt to sing their song, I don’t understand why people just not enjoy the music without criticizing others.”
“O m g.. he is great.. but why Lata Mangeshkar Ji got angry or upset with him….. Don’t know… Both old and new versions are magical.”
It is pertinent to mention here that when it comes to take consent for using anyone’s songs, filmmakers are supposed to do so. Thus, in actuality, filmmakers, composers and lyricists are the ones who are supposed to be slammed for remixing a classic hit and not the singer.